The ego era: (a)social media and narcissism

Social media allow people to stay in contact with hundreds of "friends". Twitter, Facebook and Instagram portray perfect lives in words and photographs. The question is whether social media make individuals happier or whether they turn us into more narcissistic creatures...

One tends to forget that social networks are being constructed around the ego, which unfortunately plays a prominent role in popular culture.

Researchers believe social media have an impact on a person's self image. In addition they think the way a person represents himself on social media could determinate his self image.

Social media do enhance the amount of digital social responses.

In average individuals look at their smart phones one hundred and fifty times a day, once every six minutes. Obviously it stays a challenging quest to deal with this swiping in a healthy way. For some the overload of impulses is hard to accept. When people are absorbed by the social network, they tend to cultivate their own image instead on focussing on the interaction with others. There's a clear correlation between facebook usage and enhanced exhibition scores.

Researchers from Western University of Illinois state that facebook appeals to our narcissist tendencies. People who regularly update their facebook status, tag themselves in pictures and have a large number of friends, are more likely to demonstrate traits of narcissism. They also demonstrated that individuals who spend one hour or more a day on a social network, have increased levels of narcissism.

Ego psychology emphasizes the role of identity, experienced by a person as a sense of self. Narcissistic tendencies can be found in normal range levels. Healthy ranges are essential for one's self image and -respect.

Named after the Greek myth of Narcissus, Narcissism involves high levels of self-absorption and conceitedness.

The characteristics of narcissistic personality disorder are excessive self-love, inflated self-admiration, self-centeredness, an excessive need for admiration, a tendency to overestimate personal abilities and achievements, extreme sensitivity to criticism and a constant need for attention. Narcissists lack empathy, are unable to recognize others' needs and expect a lot of those around them. These masters in exhibitionism( attention seeking behavior) and the manipulative exploitation of others for selfish ends tend to socialize with people who admire them and avoid social situations where their superior brilliance will fail to be noticed. When being challenged or criticized, they may become aggressive to achieve respect from condescending critics. They often daydream of fame, power, influence and envy others' successes.

Narcissists tend to look for appreciation in social media. The Me generation shows narcissist behavior. Their genuine interest in others is decreasing while they increasingly attach importance to fame, ego and money instead of less shallow values. The focus is on sharing each and every detail of their live to evoke response.

Shouldn't it be: be the best me instead of showing off the best look at me- and my selfie me?

The struggle for female rights still goes on

Time magazine wanted us to strike out the word feminism because the aggravating term is used too often and has little meaning. Time was annoyed by the association of certain celebrities with the word and called out to return to the essence. Managing director Nancy Gibbs has now apologized for including the term in the execution of the poll.

This semantic discussion about feminism proves that some still struggle with a kind of resistance to the term which simply means female emancipation. Banning this crucial concept would be ridiculous.

An objective background about women's struggle for "equal" rights is needed for everyone who wants to understand their position in contemporary society.

Women had to fight for their rights in this patriarchal society. History shows very clearly the painful oppression of women. Learned gender roles have caused misconceptions concerning the qualities of the sexes.

Catholicism, which still discriminates women, portrayed men as far more important than women. Men were allowed to go outside whereas women had to stay at home to do the household.

During the sixteenth and seventeenth century two hundred and fifty women were burned at the stake for alleged relations with the devil. Harmless physical features such as warts were seen as evidence of a contract with the devil. Often the victims were women with little capital and interests in herbal medicine. The end of these witch persecutions coincides with the end of the religious conflicts.

In 1792 Mary Wollstonecraft pleaded in A Vindication of the Rights of Women for a thorough change in women's situation. Her arguments derived from the ideas of the age of enlightenment. Many of these women who fought for their rights during the eighteenth century were decapitated.

Author Olympe de Gouge(Marie Gouze, 1748) first used political theatre to defend her ideas but soon opted for genuine political action. She was the first to zealously advocate social security. In her Déclaration des droits des femmes de la citoyenne(1791) Olympe demanded all rights for women. Two years later she was executed by guillotine.

The first conference for women's rights was held in 1849(Seneca Falls). The abolishment of slavery, the right to vote en the alteration of the marital contract were on the list of demands.

During the first feminist wave the right of education, the right of executing a profession and the right to vote predominated. A clear distinction between the proletarian and civilian women's right movement at that time is to be made. The first fought against the abominable economic situations whereas the latter emphasized the feminist equality idea.

During the nineteenth century many countries experienced the arise of women's organizations. The suffragettes had to campaign for the right to vote in militant protests because they were not being taken seriously.

The twentieth century was labelled by female pioneers. Married women were finally allowed to have a saving's account, to earn their own salary, to be a legal guardian.

The second feminist wave occurred in the nineteen sixties and seventies. This period of flared feminism manifested different ideas and political groups. The problem of the oppression of women was their communal problem. Five groups are to be noted.

Existentialist feminists such as the intelligent French author Simone de Beauvoir applied existentialism on the role patterns between the male and the female sexes. De Beauvoir aimed to ban all ingrained prejudice. Le Deuxième sexe(1949) denounced women's role of the second sex. She openly criticized the female as the object of the male. To free female identity, she emphasized the importance of the existentialist idea of women's responsibility for their own life. Existentialist feminism is based on De Beavoir's analysis of the human condition. Socialization processes have caused role patterns, consequently they can not be justified biologically. According to the existentialist vision women can define their own fate by choosing freedom. They should liberate themselves from marriage and motherhood, emotional dependence and the search for male approval. In addition women need to dedicate themselves to develop their intellect, to participate in the reorganization of society.

Socialist feminism criticized the capitalist influence on patriarchal ideology, victimizing both men and women. Capitalism should vanish to alter the role of the female.

Equality feminism refers to Betty Friedan's The Feminine Mystique(1963) about the misjudgement of women caused by the attention to their roles as housewives and mothers. It is opposed to the unequal rights of men and women as a consequence of the stereotypical roles of society. Their purpose is the offer of equal development changes for women by participating in societal life and government.

Liberal feminism is convinced that each individual should develop maximally in a righteous society. They see reason as the most important human factor and demand an egalitarian society.

Radical feminism is based on the belief that sex inequality is caused by hate towards women and by male oppression. They believe female sexuality and motherhood have been made subordinate to male wishes and desires. Radical feminists work in three ways: individual liberation by discussion groups, social liberation by means of political actions and liberation from traditional male organization forms. Their purpose is the elimination of the class system based on the sexes. Their propositions vary from androgyny to the glorification of female culture.
 
These five feminist ideologies may overlap. Simone De Beauvoir was also a equality feminist and elements of existentialist and liberal feminism can be found in equality feminism. Although the visions differ, these women were able to co operate for their communal aim: the female right of self determination.

Although female rights have been realized on paper, women are still being paid less for the same job. Now where's the equality in that? More than often these acquired ideals aren't naturalized. Sexist stereotypical role patterns are still being used as an excuse to reject women.

Nevertheless the struggle for equal rights and the improvement of the female position stays a matter of importance for the entire society. If certain communities wish to let patriarchy flourish under the cloak of cultural and religious values, the alleviation of female right violations will be impeded.

Up to this day many women are still considered to be inferior creatures.

Saian Supa Crew never does what has been done

Saian Supa crew, composed of beat boxers and MC's, was formed in 1997. Their name refers to Saïyen, manga figures designed by Akira Toriyama. The three groups(Explicit Samouraï, OFX and Simple Spirit) of this amazing underground collective met at the Nomad Studio.

There were six of them: OFX members Vicelow and Féfé (Féniksi), Simple Spirit members Sir Samuel and Sly the Mic Buddah and Explicit Samouraï members Leeroy Kesiah et Specta. All of them had different origins(Morocco, Nigeria, Guadalupe) and lived in the greater Parisian region. The eclectic bunch's differences resulted in everlasting tracks characterized by a distinctive positive sound and reflective lyrics.

All adepts of Afrika Bambataa's Peace, Love and fun, they always stayed true to the pure essence of hip hop music. 
Saian's communal slogan was "Jamais ce qui a été fait tu ne feras". (you will never do what has been done) Their original blend of hip-hop, beat boxing, soul, zouk, reggae, disco and dance hall was their force, as they were one of the first French rap groups to mix musical styles. 

Influenced by soulful musicians D' Angelo, Raphael Saadiq, Erika Badu, Marvin Gaye and hip hop legends A Tribe Called Quest, The Pharcyde and De La Soul, the vibrant crew easily succeeded in developing their own joyful French style.
Their philosophical tracks focused on moral and social items as hard drugs(Que dit-on ?), racism (La preuve par trois), AIDS(14.02.2002), intimacy between males and females, suicide(La Dernière Séance) and violence in religion(Au Nom De Quoi).

The six members autonomously produced their first mix tape entitled Saian Supa Land(1998), followed by 1999's Saian Supa Crew.

Saian's first album KLR(1999) was dedicated to OFX member KLR who passed away after a car accident. The album was sold more than three hundred thousand times, partly because of the hit Angela.
The record is characterized by beat boxing, theatric interludes, samples of Bachanach, Cosma and influenced by ragga, reggae, zouk and soul. 

Their second album X Raisons(2001), with its satirical interludes, ragga and soul samples, received a Victoire de la musique price for the best rap album(2002). 

The same year they released Da Stand Out EP and performed at the biggest European rap concert Urban Peace. The Saian Supa Crew shows were spectacular: entertaining the crowd with humoristic sketches, beat-boxing and break dancers.

Specta left the group in 2003 to focus on Explicit Samouraï. The same year Saian featured on RZA's The World According To RZA.

In between their second album X raisons and their third album Hold-up, the members engaged in solo projects and groups such as OFX's album Roots, Explicit Samourai's album Rap, Sir Samuel's album Vise pli o and Sly's beat box maxi. 

French DMC champion DJ Kärve joined the collective in 2005. 

Hold Up(2005) featured German singer Patrice(96 degreez), singer Camille(Si j'avais su) and Black Eyed Peas' Will.i.am(La patte).
Another mature record, sparkling with positive energy, uplifted with reggae, soul and jazz samples and the traditional beat boxing.

When Leeroy left in 2007, the entire underground collective of legendary performers and exquisite musicians split up.

Will this funky formation make a comeback? We sincerely hope so...

Diamond District: March on Washington

The Diamond District trio worked hard on their freshly released album, entitled March on Washington. The title refers to the civil rights rally in 1963.

Oddissee, yU and Uptown XO focused their brainy wordplay
on social, political and religious themes. Once again Oddisee delivered compelling cohesive productions, bubbling with warmth and soul. 

Their artistic maturation is to be noted in this exceptional album. 

DMC World Championship 2014

This year's DMC World finals were held on the fifth of October at The Forum London. 
Mr Switch(Anthony John Culverwell) may now call himself DMC DJ champion.
The second place went to American I-Dee, third to Canadian DJ Vekked.
French 9 o'clock won the team championship. The Supremacy title was earned by Image from the Wood, with Vekked as runner up.

www.dj-mr-switch.com

Icy & Sot

Icy and Sot Coke can Tabriz, Iran

With funny artist names referring to icy and drunk and a challenging piece called Beer Is Not a Crime, Iranese siblings Icy(1985) & Sot(1991) are on their way of becoming as good as their role models Blek Le Rat, Banksy, Dolk, Blu and King Stencil.

The young men, who were very fortunate to have progressive parents, grew up in the city of Tabriz. In 2005, the passionate skaters started stenciling skate logos, skulls and computer game images on their boards. Their first amateur stencils were merely made of cardboard and X-Acto knives. They tackled skate parks and the streets, where their stencil and sticker work would be covered up in a jiffy. The brothers also created a giant Coke can sculpture out of a corroded tank situated near Tabriz.

They soon got in trouble because they were using green paint, which the police linked to green protest groups. The young men were caught several times in their homeland, having been interrogated for days at a time. After fulfilling their military service, they were allowed to leave the country. 

Their critical Thief piece, depicting Iranese president Ahmadinejad and Syrian Assad made it impossible to return to their country where street art is highly dangerous and illegal, could even lead to a Satanism charge.

Their universal works about war, peace, hope, love, hate, despair and human rights have been stenciled in the streets of Iran, Turkey, Paris, Sao Paulo, Los Angeles, Houston, Chicago, San Francisco and New York. Dutch street art collectors Klerlx and van Gelderen discovered the stenciling brothers. The boys' creations are represented by their Art Agency. From 2009 on, the duo had gallery shows all over the world, from Teheran, Rome, Paris, Los Angeles, Adelaide to New York.

In 2012, their pieces were shown at Pori Art Museum's Street Art – The New Generation exhibition in Finland. The same year, their Made in Iran show at the Open House Gallery in Manhattan was an incredible success. 

In March 2013, the brothers went on a Four City East Middle West tour, with shows and musical performances by the Yellow Dogs in San Francisco, Los Angeles, Houston and Chicago. 

After winning the Red Bull Curates: The Canvas Cooler Project, they exhibited work at the Art Basel Miami Beach SCOPE fair(2013). 

They applied their signature stencil of the walking boy, which they have used all around the world. The boy represents all of those innocent Iranian children, who live in crazy surroundings while trying to keep that childlike sense of exploration and innocence. 

Children are often depicted in their creations because their happiness seeking, playful and explorative attitude is easy to relate to. 

Now living in Brooklyn, where spray paint is a lot easier to find, 

Icy & Sot continue their unique social crusade, making plans to go on a European tour.

Icy and Sot Beer is not a crime

icyandsot@gmail.com

http://www.icyandsot.com/

http://www.vimeo.com/icyandsot

http://www.flickr.com/groups/icyandsot

http://www.facebook.com/icyandsot

Make the city playable: The Playable City Movement

Piano staircase Stockholm

The universal Playable City movement creatively reacts to the cold, industrial, urban environment. Running counter to boring, machinelike cities where technology enhances the fear of isolation. A global human counterpoise to the anonymous, monotonous smart city, in which (swiping) screens predominate personal lives.  

The socio cultural movement has traveled to China, Brussels, Sweden, Brazil, Sheffield, Bristol, Italy, Texas, Japan and London, offering a gateway to a city of providence, hospitality and openness. Recently city conferences have been held in Brazil and Bristol. 

Urban planner Claudio Marinho explains that the project arises from the need for an affectionate re-appropriation of public places to get city-centre life back from our bunker-high-rise isolation. He aims to renew cities with landscape (urban memories), texture (human scale) and affection (place appropriation).
Bristol's conference organizer Clare Reddington claims smart cities are over-planned, with people hurrying like lab rats, guided by smart phones and paralyzed by technology. A safe urban playground has become a utopian ideal in the restricted setting of adult managed play. 

The key idea behind the Playable City project is the fact that urban living difficulties may only be addressed by collective action. 
A sense of communal well-being is not an issue to be solved by local authorities(but nevertheless requires their co operation), quite on the contrary: citizens need to be able to take control of their own surroundings. When given this creative ability, citizens can make profound contributions to their living area. The encouragement of public activities brings joy.

Much more than a trivial good laugh, play refers to any kind of pleasant activity which can act as an interlude in the city's functional productivity and stimulate individuals to reflect on what actually makes us human. Play ground cities combine art and play to ameliorate urban living. Self-conscious, artificial interventions are applied to unsettle our self made alienating, concrete cities, which are packed with people and filled with conflict.

There are easy, cheap ways of achieving a more human, friendly community. To add color to a grey, depressing society, many thinkers and artists have been commissioned. From Stockholm's Piano Staircase to Bogotá's traffic mimes, there are no restrictions to make people laugh.
This year Bristol allowed artist Luke Jerram to transform Bristol’s Park Street, one of the main shopping streets, into 95-metre a giant water slide open to the public.  His other low-budget Play Me, I’m Yours project has seen 1300 pianos installed in public spaces in 45 cities around the world. Other humoristic installations included temporary play streets,  a zombie chasing game and a text message conversation with a lamppost.

In Bradford artist Usman Haque designed a permanent installation of fountains and lights that respond to people's movements. Paolo Cirio's Street Ghosts consisted of life-sized printed pictures of people found on Google's Street View. In Britain there are around fifty incredible edible towns and cities, which grow fruit and vegetables for everyone to share. 

This unusual playfulness creates a happy city environment, it connects its citizens to each other and engages them to think about the ways of interrelating community and people.

A tube piano, unexpected light and sound installations, a narrated fairy tale on the way to the office, ...  are all simple but highly effective city interventions to generate an incentive, interesting atmosphere, as if on a delightful exploration in an exotic country.

Playable Cities: the city that plays together, stays together.
Let's all stop taking ourselves too seriously. It's about time we have some fun, play and be filled with wonder!

Giant water slide

The Outlaw Instagrammers' urban performance photography

Copyright Humza Deas

Seventeen-year old skater Humza Deas shares his urban experiences in New York via Instagram. Armed with a camera, the young urban explorer climbs sky-scrapers, advertisement-boards and bridges to discover unusual, spectacular visionary angles. 

The Outlaw Instagrammers group consists of street photographers who dedicate themselves to the playful exploration of the urban air. 
Its members try to outdo each other by getting the most likes on their startling photographs, to achieve the attribution of the letter K when their followers exceed 10.000. Last Suspect and Humza Deas are the group's leading photographers.

Competition is tough. When blabbermouth Deas told a reporter all there is to know about city climbing, he was confronted with hate and frustration from his colleagues. However this infamy led to publications in Complex and New York Magazine. 
Despite the negative exposure, the boy stays focused on aerial challenges and is planning to sell some of his work. 

http://humzadeas.tumblr.com
http://instagram.com/lastsuspect

WK Interact

copyright WK Interact

French WK Interact(1969) is well known for his black and white pieces of the human body in motion.

In the nineties he fell in love with New York while touring the United States. A few years later he decided to leave his beloved Caen. He moved to his beloved apple with a project in mind. This is when his full size images started appearing on New York buildings. A lot of this work was situated in wisely chosen Manhattan and Brooklyn areas.  

Inspired by the city's energetic chaos, WK succeeds in adding a dynamic rush in his mobile characters. The street artist uses a variety of media such as installations, paintings, collages, prints and photocopies.  His photocopied photography is often the starting point for the creation of a piece. 

With shows at Agnès B galleries and the Jonathan Levine gallery(2013, 2010, 2009, 2008) Interact may say his work paid off.

www.wkinteract.com

A view on the concept of emptiness

In Western culture, emptiness has a negative connotation as it is often associated with depression. 

In Eastern society, the Buddhist concept of emptiness is known as śūnyatā,  a key element to liberate the illusive mind from mind labeling and suffering. 

The ideas of emptiness, alienation, boredom, anxiety, suffering and despair were crucial elements in postwar existentialist philosophy and literature. 

Although it has historical roots in Greek and medieval philosophy, the fundaments of existentialism derive from German philosopher Martin Heidegger's Being and Time(1927).  

This philosophical movement is centered on the recognition of individual existence. 

The absurd, indifferent universe has no intrinsic meaning or purpose. Living in a crowded city, performing work without a passion for it, superficial entertainment, ... enhance the empty, unhappy feeling of human beings.

In contrast to "Pour soi ", Sartre described "être en soi" as a self deceiving state of inauthentic existence, in which an individual avoids responsibility and the freedom of choice. 

Existentialists believed all individuals should face emptiness and be responsible for their actions, by choosing and shaping their own destinies. As soon as a person accepts the concept of emptiness, he will accept the responsibility to live an authentic life by exploring his own possibilities. 

In order to understand human existence, authenticity is necessary. Responsibility, autonomy, commitment and integrity are all necessary ingredients for a meaningful self chosen life. Self-defining individuals freely choose which projects they engage in. These projects of self- understanding reveal the meaning of existence and one's identity. 

As Jean Paul Sartre said: "Existence precedes essence".  
The essence is what we make of ourselves, what we choose to be, who we become.

Concrete Canvas Tour

In Ghent a Concrete Canvas Tour is now available, leading tourists towards all the essential street art spots. The free map guides you to interesting paintings or installations. 

You can either opt to walk 7 km to see thirty two pieces or to cycle 14 km and see fifty two creations. The abandoned industrial site Inter-beton and the Roa pieces remain the must-see street art spots in Ghent.

http://www.visitgent.be/nl/brochure-concrete-canvas-tour?context=tourist

Marvel doggy style controversy

Copyright Marvel, Manara

Fans have expressed their discontent concerning the stereotypical image of Spider Woman. 
Marvel presented the cover of the new Spider Woman series, designed by erotic comic writer Milo Manara, on Comic Con in San Diego. Outrageous critics think the cover of the comic heroine in doggy style is a sexist act, in an attempt to attract horny male readers. They claim male heroes would never be depicted in the same bottom up manner.

Bonom, le singe boiteux

Vincent Glowinski(1986) first enlarged his sketches in urban settings such as abandoned houses or factories. He was clearly bitten by the overwhelming sense of freedom and adventure outdoor creation brings on. Tagging freed his nostalgic teenager mind.

When the Parisian artist came to Brussels to study arts, he felt inspired by animals in the museum of science where he had to study their anatomy during school trips. Bonom, a contraction of homme and bonobo, was born.

Bonom's black painted animals and skeletons appeared in Paris and Brussels in 2005. Mysteriously painted on hard to get to rooftop spots, far away from the hectic life downstairs. These dangerous spots allowed more overview and hiding places, although they were very close to sleeping individuals in their flats.

In 2007 the artist was asked to draw dinosaur skeletons on the museum of natural sciences in Brussels. 

Later on he painted human figures, fetuses, a portrait of his father with the body of a snake and the masturbating woman.

After meeting Wim Vandekeybus in 2010, collaborations on murals and dance performances followed.

Glad to be freed from a street artist's restraints Glowinski now only works on commission under his real name.

The release of an art book(CFC Éditions ) accompanies Bonom's first solo exhibition "Bonom, le singe boiteux" in art institute L'Iselp's gallery. The artist's drawings, sketches and an enormous sculpture are illustrated with photos by Ian Dykmans(1974), who started following Bonom in 2007. 

www.bonom.be

'Bonom, le singe boiteux'

24th of January-  22nd of March

L'Iselp, Waterloolaan 31B , 1000 Brussels. 

Monday- Friday: 11- 18.

Free admission.