Identity and appearance in selfie culture


Liesbeth Woertman, professor in psychology at the University of Utrecht, declares that the proportion of self-idolization in society is weighing heavy upon human contact. Nowadays the ideal of beauty seems to be more important than ever.

A sense of emptiness and insecurity about ourselves, caused by the lack of meaningfulness and stable family-ties, seems to evoke an obsession with our body, which we think to control by means of diet, sports and plastic surgery.

Woertman sees selfie culture as a metaphor for society. The focus on the self is prominent in the virtual world, where the appearance in form of a perfect body seems to be of great influence. The urge to expose one's private life, to sell oneself as a sexual object seems to typify our selfie culture. Instead of photographing others or the environment, selfies are taken because we need to be seen.

As genuine social contact has been replaced by being watched, consequences on the quality of sexual relationships have been noted. When an individual is only focused on his image, he becomes an object that dehumanizes the other.
The quality of meaningful sexual relationships declines when an individual is primarily focused on himself and his own arousal as he doesn't pay attention to the other.

This distorted impression of sexual behavior is also caused by porn, often watched before the first actual sexual experience, and by advertising. Television and internet remain the reasons for a negative body image. This narcissist emphasis on appearance brings about phobic behavior, insecurity and panic attacks.

According to sociologist Zygmunt Bauman, social media are often used for the echo of one's voice, for the sense of control instead of the social skills needed to explore the world.

An individual's self-concept includes a personal and a social identity. The development of social identity can only manifest through relationships with others. It is a life-long task that changes along with the social roles that come with age. In order to avoid inferiority and ego problems, a conscious use of social media is advisable. Let's not forget to live together.

Retrospective Karel Appel

Vragende Kinderen, copyright Karel Appel Foundation
Dutch painter Karel Appel(1921) was one of the founders of the international Cobra group in 1948. The group's name derives from Copenhagen, Brussels, Amsterdam. 

The members, such as Karel Appel, Asger Jorn(1914-1973), Constant and Pierre Alechinsky engaged in the spontaneous creation of boldly coloured, expressive, experimental work. The avant-garde group was primarily inspired by Marxist ideoloy, primitive art, children's drawings and the work of Joan Miro and Paul Klee. The artists collaborated in exhibitions, the Cobra magazine and peinture-mot.

After his academic studies, Appel depicted friendly looking animals and childlike creatures. His first major assignment, Vragende Kinderen(1949) caused such an uproar that they covered the painting for ten years. Appel became internationally known whilst living in Paris, where his creations began to be more turbulent and textured.

During the sixties he made colossal sculptures of fantasy creatures out of painted wood, polyester and aluminium. Furthermore his oeuvre includes assemblages, collages, graphic work, glass decorations, theatre and opera decor designs. 
All of these can be admired at his retrospective in Den Haag.

Retrospective Karel Appel
Gemeentemuseum Den Haag
16-1 - 16-5-2016
www.gemeentemuseum.nl

The James Hunter Six: Hold on


Daptone released James Hunter's fourth album on February fifth.
Hunter and his band delivered a soulful, swinging record, which was produced by Gabriel Roth(eg Amy Winehouse).

Tracklist

1. If That Don’T Tell You
2. This Is Where We Come In
3. (Baby) Hold On
4. Something’S Calling
5. A Truer Heart
6. Free Your Mind (While You Still Got Time)
7. Light Of My Life
8. Stranded
9. Satchel Foot
10. In The Dark