Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

Banksy Better Out Than In


October was a busy month for Banksy who was touring the streets of New York while mass producing. Each day another outdoor piece was shared on the artist's website.

His Better Out Than In project is illustrated by a quote of Cézanne: "All pictures painted inside, in the studio, will never be as good as those done outside."

The artist used different media such as installations, stencils, videos, sculptures and performances.

He converted a delivery truck into a mobile garden with butterflies, a waterfall and a rainbow. One of the traveling  installations was entitled Sirens of the Lambs and featured a traveling slaughterhouse delivery truck filled with stuffed animals. A real boy was shining the shoes of a fiberglass Ronald McDonald in the South Bronx, a sculpture of a Sphinx was placed in Queens and a video of ants evolving into a vulva was shown in Staten Island. 

Banksy set up a stall to sell original artworks for sixty dollars each and put a jpeg on his website which can be used to make one's own Banksy New York residency souvenir T shirt.

He said goodbye to New York with a balloon throw-up on the Long Island Expressway and asked the public to save 5pointz, an outdoor urban art exhibit space in Long Island City.

Truly: at first the project seemed to be a massive media stunt but one might agree that the concept, the creativity and the used techniques show the artistic abilities of this street artist who criticizes consumerism.  

Banksy in Gent next?! 




The New York Times opted not to publish
 this letter from 
Banksy, stating that
the WTC building is an eyesore. 

Streets ahead of the ordinary

Faile, work on wood


FAILE(1999) is the Brooklyn-based artistic collaboration between Patrick McNeil (b. 1975, Edmonton, CA) and Patrick Miller (b. 1976, Minneapolis, MN). The two friends met in high school and later on kept in touch whilst attending art school.


The duo created A Life in collaboration with Japanese filmmaker Aiko Nakagawa who left FAILE in 2006. A Life expresses the interaction with its environment, the deterioration of artwork caused by exposure to the elements. The detritus of the city wall was a constant inspiration …


They changed their artist name into Faile, an anagram of A Life. The trio started focusing on street art by means of large-scale screen prints, wheat pasting and stenciling recognizable pop culture images. During the early years of their career Faile’s artwork was marked by assemblage and dynamic experiments in public urban spaces.


Street art was only featured in a few galleries in New York, in spite of its history of graffiti and its status of the city of contemporary art.


Faile’s style and characteristic culture-driven iconographical language make their work very recognizable. Socio-political themes, criticism on society, consumerism and mass culture in addition to both sacred and profane cultural influences (the use of religious artifacts) are depicted in their projects.


FAILE’s recent work is marked by the consistent juxtaposition of dualities (love/hate, violence/beauty, peace/war), recurring themes which are represented by recognizable visual elements.


Their work is characterized by a certain ambiguity which allows the viewer’s open interpretation in order to be able to relate to the work. Their creations’ meaning is open and emphasizes the audience’s interactive experience.


In addition to the common street art media, they chose a wide array of media ea sculpture, architecture, multimedia, music, design and books in limited edition.


Faile and twenty one other internationally renowned artists such as Banksy, Shepard Fairey and Takashi Murakami were invited to show their work at the Spank the Monkey exhibition (2007, BALTIC Centre for Contemporary Art). This show was crucial contribution towards the institutional acceptance of street art.


A year later Street Art(Tate Modern, 2008), a group exhibition featuring street artists Blu, Sixeart, JR, Nunca and Os Gomeos included Faile’s work. Thanks to this exhibition Faile was able to reach a large public. Their work increasingly received more media attention.


Street art embraces hip-hop aesthetics, fixes its eye upon to the masses expression in an attempt to regain and embellish the urban environment. Contemporary art shouldn’t be restricted to museums and galleries but be available on every corner of the street.



Article written by Ann Timmermans

More information and pics:
faile@faile.net


http://www.faile.net/