Showing posts with label consumerism. Show all posts
Showing posts with label consumerism. Show all posts
The world goes pop
Popular art, the avant-garde movement in the United States(1952), rebelled against the egocentric abstract expressionists. Its inspiration is to be found in industrialized mass culture, in the banal clichés of Western society.
Pop artists aimed their art at the real world, as a critical tribute to consumerist society. Their images derived from everyday life: popular mass media such as newspapers, magazines, comic books, television, advertisments, graffiti or design. A large variety of figurative styles and techniques was applied: from screen prints, paintings and photocopies to happenings and sculptures.
In 1956 The Whitechapel Art Gallery(London) organized This is Tomorrow, the first pop art exhibition. In 1962 The Sidney Janis gallery(NY) shared works of Warhol, Oldenburg and Lichtenstein.
Everybody recognizes Andrew Warhola's( 1928-1987) boldly coloured portrait series of Monroe, Mao, Onassis and Presley. He was a master in commercial simplification.
Claes Oldenburg(1929) transformed everyday objects such as basebalcaps, lipsticks, hamburgers or typing machines into comic, lifesize monuments.
Roy Lichtenstein(1923-1997) is best known for his Banday dotted paintings of comic images with black contours and speech balloons.
Until the 24th of January 2016 these monumental pop art creations can be admired in The World Goes Pop exhibition at Tate Modern.
Ron English billboards modern culture criticism
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| Copyright Lazarides Gallery |
American artist Ron English studied photography but chose to concentrate on becoming an exquisite painter and an inspiring street artist.
From 1982 to 1984 he was part of an art crew who modified billboards to communicate criticism on politics and consumerism with passers-by. An essential characteristic of his oeuvre remains this culture jamming: the liberation of an advertisement's commercial message by adding his own, often by means of the use of colorful pop culture's iconography. No need to say English feels inspired by Andy Warhol. His subversive POPaganda conveys sociopolitical satirical reflections on modern culture.
Hand painted popular imagery as comic superheroes, Disney characters, animals, cowgirls and skeletons are used to open a humorous dialogue with the public, often leading to media discussions. The pop iconoclast's Abraham Obama pieces during the 2008 presidential campaign had a strong impact on the election.
Like Dan Witz, English is also a master in photorealistic painting. His versions of symbolical artworks as Picasso's Guernica or Degas' the Absinthe Drinkers illustrate his craftsmanship. Street pirate Ron English simply deserves the name he has on the street.
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