Showing posts with label grime. Show all posts
Showing posts with label grime. Show all posts

Wiley The Ascent


Grime artist Wiley's ninth studio album The Ascent was released via Warner Music Group and Boy Better Know. Evolve or Be Extinct's follow-up features guest appearances of Far East Movement, Skepta, Chip, JME, Ghetts, Griminal, Manga, Frisco, Kano, Big Shizz, Double S, Wrigz, J2K, Ice Kid , Megaman, Tulisa, Angel and Emeli Sandé.

Wiley collaborates with Ms D on lead single Heatwave and with Skepta, JME and Ms D on the album's second single Can You Hear Me?.

Fresh and fun but Wiley seems to have forgotten to focus on lyrical content in this energetic attempt to produce chart friendly music.

Tracks:
1.Ascent (intro)
2.First Class
3.Skillzone
4.Hands in the Air
5.Reload
6.Chainsaw (A List)
7.Heatwave
8.So Alive
9.Lights On
10.Can You Hear Me? (Ayayaya)
11.Tomorrow
12.My Heart
13.Humble Pie

Ruff Sqwad White Label Classics




No Hats No Hoods released Ruff Sqwad‘s White Label Classics, featuring previously unreleased instrumentals.

This well known East London grime initiating crew arose in 2001, composed of founder Tinchy Stryder(1986), accredited grime producer and sound engineer Rapid(1983), producers Dirty Danger(1984)and Dizzee Rascal's cousin Slix(1982), Shifty Rydos and Mad Max. In 2006 Mad Max was replaced by Fuda Guy. From 2004 until 2010 DJ Scholar joined the group, whose place was taken in by Tinchy Stryder's personal DJ Sir Spyro(1984). 

Thanks to their mix tapes grime became a new genre. Other early grime contributions came from N.A.S.T.Y. Crew, More Fire Crew and Aftershock. 

Ruff Sqwad's first studio album Guns and Roses Volume. 1(2005) was a success upon its release. Both the independently released debut album and their second full length Guns and Roses Volume. 2(2006) have been cited to be the best full-length grime albums of all time. 

The grime rap record production team split up in 2010, after which only crew leader Tinchy Stryder continued his mainstream success.

An urban album which simply needs to be bought!

Tracks

1.Anna
2.Misty Cold
3.Lethal Injection
4.Pied Piper
5.Functions on the Low
6.Together
7.Your Love Feels
8.Tings in Boots
9.Down
10.Move 2 Dis
11.Knight Rider
12.An Ting
13.Underground
14.Burial
15.Top 3 Selected
16.Cheque
17.Clio
18.Xtra
19.Good Old Days
20.I'm From a Place
21.No Bass
22.Clio (remix)

Wiley's Evolve or Be Extinct Album




Released on his birthday( January 19 2012) Wiley surpises us with his second EP in a year's time.


Tracklist:


1. Welcome to Zion
2. Evolve or be extinct
3. Link up
4. Boom Blast
5. I'm skanking
6. Weirdo
7. Scar
8. Can I have a taxi please
9. Miss you
10. Money man
11. Customs
12. Immigration
13. Only Human
14. This is just an album
15. Ya Win Some, Ya Lose Some
16. Fire
17. No love lost
18. Cheer up it's christmas
19. Life at sea
20. Daiquiris
21. Confused
22. Highs and lows

The sound of tomorrow



Avant- garde hip hop the new movement? Naturally it is as every culture evolves in its own way.
Hip hop experienced its golden age with the straight up boom bap sound of the nineties.
The heroes from back in those days were DJ Premier, DJ Babu, Gangstar , Wu-tang clan , Mos def and Talib Kweli … There is a whole list of names which could be added to the history of hip hop in the nineties.

The beats had grooving strong kicks and snares, yet somehow the music pieces remained simplistic in a fashionable way. Cut up samples in addition to mixed in vocals of old records spiced up the track’s appealing sound. Some of those artists are still in the game continuing their work.

For sure these musicians had their idols and examples from the eighties, such as DJ E3 and Afrika Bambaataa who produced a very electronic sound at the time.
Nowadays we notice an evolution towards a worldwide mixture of strong boom bap sounds and the electronic sounds of the eighties. In other words... our world has changed, provoking a compatible sound.

The new kids on the block have so many new techniques and synthesizers at their disposal, that the variety of sounds has virtually become inexhaustible. The moods and vibes they are unleashing upon the world’s eager ears are now easy to discover through media like Youtube and Wimeo.

Even though music labels struggle to make profit from record sales, these hip hop musicians keep on doing it, pushing boundaries in search of a new type of quality music.

The Dorian concept, Mike Slott, Delic, El Producto, Flying Lotus, Prefuse73 and Dynooo are merely a fraction of the future sound.


Crews like Antipop Consortium, Def-Jux and Cannibal Ox have found a way to communicate a poetic message through skillful wordplay on the new sounds of hip hop. In the UK scene rap became grime, where verses were spit on heavy bass lines and slow beats of dub step and grime.
The youth and veterans out there are searching for new ways to create an innovative sound and approach to hip hop music. We can only sit back and enjoy the new cultural hypes…
So if u ask me, bring on the avant-garde hip hop sounds!


Article written by Geert Van Laethem

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